Detailed 1800s Joseph Noel PATON Engraving "Inside the Tavern" SIGNED Framed COA
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Item: 364413325828
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Artist:Joseph Noel Paton
Image Orientation:Landscape
Signed:Signed
Material:Engraving
Framing:Framed
Subject:Figures
Size Type/Largest Dimension:Medium (Up to 30in.)
Type:Print
Listed By:Dealer or Reseller
Year of Production:1860
Style:Old Master
Features:Framed,Matted,Signed
Production Technique:Engraving
–> Four Centuries of the world’s finest artists from our collection to yours –> Thank you for visiting… Artist: Sir Joseph Noel Paton (Scottish, 1821 – 1901) Title: The Dowie Dens o Yarrow (Stanza 1st) Medium: Antique engraving on wove paper after the original by master engraver Robert Charles Bell (British, 1806-1872). Signature: Signed in the plate. Year: 1860 Condition: ExcellentDimensions: Image Size 6 1/2 x 7 7/8 inches. Framed dimensions: Approximately 16 x 19 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 160 years old. The strike is crisp and the lines are sharp. Extra Information: “The Dowie Dens o Yarrow”, also known as “The Braes of Yarrow” or simply “Yarrow”, is a Scottish border ballad (Roud 13, Child 214). It has many variants (Child collected at least 19) and it has been printed as a broadside, as well as published in song collections. It is considered to be a folk standard, and many different singers have performed and recorded it. Additional notes: Sir Joseph Noel Paton FRSA, LL. D. was a Scottish artist, illustrator and sculptor. He was also a poet and had an interest in, and knowledge of, Scottish folklore and Celtic legends. He was born in Wooer’s Alley, Dunfermline, Fife, on 13 December 1821 to Joseph Neil Paton and Catherine MacDiarmid, damask designers and weavers in the town. He was the brother of the sculptor Amelia Robertson Hill, and the landscape artist Waller Hugh Paton. He also had one brother, Archibald, and two sisters, Catherine and Alexia, who died in childhood. Later in his life, Paton erected a monument on the grave site of his parents and siblings. Their graves were probably originally unmarked; the monument lies on the north side of Dunfermline Abbey and — amongst nearby smaller, sandstone markers — is a distinctive red granite Celtic cross. Paton attended Dunfermline School and then Dunfermline Art Academy, further enhancing the talents he had developed as a child. He followed the family trade by working as the design department director in a muslin factory for three years. Most of his life was spent in Scotland but he studied briefly at the Royal Academy, London in 1843, where he was tutored by George Jones. While studying in London Paton met John Everett Millais, who asked him to join the Pre-Raphaelite Brotherhood. The invitation to be an official member of the Brotherhood was turned down by Paton although he painted in the Pre-Raphaelite style and became a painter of historical, fairy, allegorical and religious subjects. Together with Daniel Maclise, Paton was a folklore expert; according to Christopher Wood, an expert in Victorian art, Maclise and Paton were the only artists working in the genre of fairy paintings with expertise in folklore. Paton’s knowledge of Celtic legends and Scottish folklore is reflected in his paintings. In 1844 Paton’s first painting, Ruth Gleaning, was exhibited at the Royal Scottish Academy. He won a number of prizes for his work including for two of his most famous works The Quarrel of Oberon and Titania and The Reconciliation of Oberon and Titania (1847 – Westminster Hall), both of which are available to public view at the National Gallery of Scotland. An earlier study of the Quarrel painting was completed in 1846 and featured as Paton’s diploma picture at the Royal Scottish Academy that year. The Academy purchased the earlier work for £700. Made an associate of the Royal Scottish Academy in 1847 and a fellow in 1850. In 1865, he was appointed Queen’s Limner for Scotland. He also published two volumes of poetry and produced a number of sculptures. Two years later he received the knighthood and in 1878 was conferred the degree LL. D. by the University of Edinburgh. In 1860 he was living at 37 Drummond Place in the New Town, Edinburgh. Paton was a well known antiquary, whose specialty was arms and armour. In 1859 he raised and commanded the 1st Edinburgh (City) Artillery Volunteer Corps, composed mainly of artists with the painter John Faed as his lieutenant. He died in Edinburgh at his home 33 George Square on 26 December 1901, and is buried in Dean Cemetery. In 1858, he married Margaret Gourlay Ferrier and the couple had eleven children. Their eldest son, Diarmid Noel Paton (1859–1928), became a regius professor of physiology in Glasgow during 1906 while another son, Frederick Noel Paton (1861–1914), was appointed as director of commercial intelligence to the government of India in 1905 but was also a noted illustrator. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS | &
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