FRAMED 1800s Edward William Cooke Engraving "Venice – The Arrival" SIGNED COA

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Location: Cape Coral, Florida
Ships to: US,
Item: 365016607645

Return shipping will be paid by:Seller
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
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Artist:Edward William Cooke
Image Orientation:Landscape
Signed:Signed
Date of Creation:1800-1899
Certificate of Authenticity (COA):Yes
Subject:Seascape/ Nautical
Size Type/Largest Dimension:Medium (Up to 30in.)
Type:Print
Listed By:Dealer or Reseller
Year of Production:1868
Style:Old Master
Features:Framed,Matted,Signed
Production Technique:Engraving
Print Type:Engraving

–> Four Centuries of the world’s finest artists from our collection to yours –> Thank you for visiting… Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. –> Artist: Edward William Cooke (English, 1811 – 1880) Title: Venice – The ArrivalMedium: Antique engraving on wove paper after the original by the master engraver Charles Cousen (British, c.1819 – 1889). Signature: Signed in the plate. Year: 1868 Condition: Excellent Dimensions: Image Size 6 1/4 x 11 inches. Framed dimensions: Approximately 15 x 20 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This engraving is more than 150 years old. The strike is crisp and the lines are sharp. Extra Information:View in a harbour, some gondolas in the foreground approaching towards a three-masted fleet with sails down in the middle distance, other gondolas mooring at a quay in the left foreground, another fleet with various flags firing in the left background in front of the shore. Artist Biography:Edward William Cooke was an English landscape and marine painter, and gardener. Cooke was born in Pentonville, London, the son of well-known line engraver George Cooke; his uncle, William Bernard Cooke (1778–1855), was also a line engraver of note, and Edward was raised in the company of artists. He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects (in special in sailing ships) and published his “Shipping and Craft” – a series of accomplished engravings – when he was 18, in 1829. He benefited from the advice of many of his father’s associates, notably Clarkson Stanfield (whose principal marine follower he became) and David Roberts. Cooke began painting in oils in 1833, took formal lessons from James Stark in 1834 and first exhibited at the Royal Academy and British Institution in 1835, by which time his style was essentially formed. View of St. Agnes, Edward William Cooke He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to the Netherlands in 1837. He returned regularly over the next 23 years, studying the effects of the coastal landscape and light, as well as the works of the country’s Old Masters, resulting in highly successful paintings. These included ‘Beaching a Pink at Scheveningen’ (National Maritime Museum, London), which he exhibited in 1855 at the Royal Academy, of which he was an Associate from 1851. He went on to travel in Scandinavia, Spain, North Africa and, above all, to Venice. In 1858, he was elected into the National Academy of Design as an Honorary Academician. Cooke was “particularly attracted by the Isle of Wight, and on his formative visit of 1835 he made a thorough study of its fishing boats and lobster pots; above all he delighted in the beaches strewn with rocks of various kinds, fishing tackle, breakwaters and small timber-propped jetties.” He also had serious natural history and geological interests, being a Fellow of the Linnean Society, Fellow of the Geological Society and Fellow of the Zoological Society, and of the Society of Antiquaries. In the 1840s he helped his friend, the horticulturist, James Bateman fit out and design the gardens at Biddulph Grange in Staffordshire, in particular the orchids and rhododendrons. His geological interests in particular led to his election as Fellow of the Royal Society in 1863 and he became a Royal Academician the following year. In 1842 John Edward Gray named a species of boa, Corallus cookii, in Cooke’s honor. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

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